A wonderful example of critic advocacy. Attention must be paid, says the Trib's Chris Jones, to the up and coming off-Loop, Complicite-inspired ensemble, House Theatre.
So far, I'm intrigued.
What do you make of this diagnosis of Jones's about the group's success:
At a time when young audiences demonstrably are rejecting stolid, text-based theater for more eclectic performance styles, the maturation of the House has excellent timing.
Like it or not, I think he's onto something.